The Open Countryside

The Open Countryside

The Tervuren School: Protagonists of Belgian Landscape Painting

Wednesday, June 24, 2015 — From the year 1870, Tervuren became an artistic hotspot. The Sonian Forest, the incredible nature, and picturesque vistas were the ideal backdrop for a new generation of painters: the Tervuren School. They decisively chose to paint in the open air and left an indelible mark on Belgian landscape painting. The exhibition 'Plein Air. The  Tervuren School' is showcasing this tradition until 13 september with canvases by Hippolyte Boulenger, Lucien Frank, Joseph Coosemans, Isidore Verheyden, Guillaume Vogels, and other prominent members of the movement.

Barbizon nearby Brussels

The Tervuren School is to Belgian painting what the Barbizon School is to French painting. Inspired by the landscape painters of Barbizon, Camille Van Camp (1834-1891) met his friend and later leading figure Hippolyte Boulenger (1837-1874) in Tervuren. Along with a number of other painters, they formed an artists’ colony that was to break with tradition. They cast off the yoke of academic painting and decisively chose to paint nature while surrounded by nature. Peter Carpreau, curator: “Coosemans was the first person to start painting. When Hippolyte Boulenger joined him, the movement exploded. He catapulted the school to fame and was the best Belgian landscape painter of his generation.”

Painting in the open air, a revolutionary step

Open air painting was a revolutionary development in the mid-19th century. The practice stated in 1825 in the French village of Barbizon and gradually spread across Europe, even to Tervuren. Plein air was more a method than a movement, however, since the painters in question had varying influences and subjects. The common element they share is that they painted in the open air. Painting outside presented a range on new challenges: wet canvasses, moving objects and changing light. Marjan Debaene, co-curator: “Most of the painters lived in Tervuren and took their palettes and easels into nature. This was only possible because tubes for paint had just been invented. Previously, painters had first made sketches in the open air and then returned to the studio to create the painting itself.”

Missing link

This exhibition presents work by seven painters of the Tervuren School: Hippolyte Boulenger, Lucien Frank, Isidore Verheyden, Joseph Coosemans, Edouard Huberti, Guillaume Vogels and Alphonse Asselbergs. Together, these artists moved Belgian landscape painting in a new direction: from Romanticism, they evolved towards Impressionism. They gave the painted landscape a profound makeover and decisively opted for a realistic approach, which ultimately resulted in Plein-air painting. What is more, the movement’s most foremost representative Boulenger did not only paint nature as sweet and tender. He was considered a great pioneer thanks to the pervading sense of fear, panic, passion and joy in his paintings. Where the leading light Hippolyte Boulenger stopped, his followers Guillaume Vogels and others pursued this style. Belgian Impressionism consequently evolved to be darker and more dramatic than French Impressionism.

 

PRACTICAL INFORMATION

Plein Air. The Tervuren School | 25.06.15 >< 13.09.15

Curators: Peter Carpreau, Marjan Debaene and Herman De Vilder

 

Tervuren School Walk

Walk around Tervuren and see the landmarks associated with the Tervuren School. More information is available at the Tervuren Tourist Office.

View at the exhibition PLEIN AIR (c) Isabelle Arthuis
Jan Brueghel the Elder & Lucas van Uden, The Ducal Castle in Tervuren from the Northeast © Isabelle Arthuis
View at the exhibition with works from the Barbizon School (c) Isabelle Arthuis
Narcisse Virgile Diaz de la Peña, Landscape in the Forest of Fontainebleau, vzw De Vrienden van de School van Tervuren © Isabelle Arthuis
View at the exhibition PLEIN AIR (c) Isabelle Arthuis
View at the exhibition with works from  Edouard Huberti (c) Isabelle Arthuis
Edouard Huberti, The Castle’s Pond at De Warande in Tervuren, vzw De Vrienden van de School van Tervuren © Isabelle Arthuis
View at the exhibition with works from Joseph Theodore Coosemans (c) Isabelle Arthuis
Joseph Théodore Coosemans, The Wolvenweg in Tervuren, vzw De Vrienden van de School van Tervuren © Isabelle Arthuis
Alphonse Asselbergs, Ardeens landscape at Houffalize , M – Museum Leuven @ Isabelle Arthuis
Isidore Verheyden, Woman carrying a Fagot, Huguette De Vuyst, Lokeren © Isabelle Arthuis
Guillaume Vogels, Hippolyte Boulenger sketching, vzw De Vrienden van de School van Tervuren © Isabelle Arthuis
Hippolyte Boulenger , Saint Hubert Mass in Tervuren, vzw De Vrienden van de School van Tervuren © Isabelle Arthuis
Hippolyte Boulenger, Pêche dans un paysage fluvial boisé, vzw De Vrienden van de School van Tervuren © Isabelle Arthuis
Hippolyte Boulenger, Sign of ‘t Oud Bareelke © Isabelle Arthuis
View at the exhibition PLEIN AIR with works from Lucien Frank (c) Isabelle Arthuis
View at the exhibition with works from Lucien Frank & Guillaume Vogels (c) Isabelle Arthuis
Lucien Frank, On the Pond in Vossem at Nightfall, Galerie K&G Van de Ven © Isabelle Arthuis
Lucien Frank, Wolvenweg te Tervueren in the Fall, <br/>De Brauwer (c) Isabelle Arthuis